ghostwriter


Ghostwriters don’t often get attention. Being invisible is pretty much baked into our job description! However, I was just recognized by Feedspot for having one of the top 40 ghostwriter blogs on the Internet, and I’ll wear that as a badge of honor even though I can’t officially admit to ghostwriting anything. You will have to trust me on my ghostwriting experience. Shhhhh! Best ghostwriter blog . . . well, my blog IS for people seeking a ghostwriter, and I know some ghostwriters have learned from me by reading it. I’ll take the badge!

best ghostwriter blog top 40

My blog and NancyPeske.com was honored as one of the top 40 ghostwriter blogs by Feedspot. Yay!

 

How do I work as a ghostwriter? The partnership between my clients and me varies wildly from client to client, book to book, and even chapter to chapter. Quite often, I don’t even ghostwrite. Instead, I do developmental editing, consulting, and coaching. I commonly help a client stay true to her brand by going over a manuscript she has drafted and making specific suggestions about voice, tone, and content as well as structure and approach. We talk about title, message, audience, and platform, and what this book is meant to be.

 

New clients sometimes have trouble understanding this “big picture” approach to editorial development. I think that’s because many people mistakenly assume they know what editors do and what editing is. It’s more complicated than merely “fixing” text. You may want to hire me as a ghostwriter, which is a big commitment on your part and mine, but we may end up working together differently—with me serving as more of a developmental editor, book writing coach, and book publishing consultant. So while on some projects, I will ghostwrite—interview the client, write all the drafts, and go over them with the client, who then makes changes in the document or suggests them over the phone—very often, what I’m doing is less writing and more developmental editing, strategizing, shaping, and branding.

 

Want to get started? Here are the options:

 

Are you solidly committed to spending five figures on a ghostwriter? Fill out my contact form. That way, I can help you determine whether I might be the best ghostwriter for you, let you know whether I’m available, and steer you toward a highly talented colleague if need be.

 

Are you unsure of whether you want to make a big financial commitment to ghostwriting, but certain you want to get your book written and published? Fill out my contact form and tell me more.

 

Give me some details and it will be much easier for me to help you.

 

Your book idea CAN go from vision to reality!

 

And if you want to access the insights of a bestselling ghostwriter, developmental editor, book writing coach, and book publishing consultant, be sure to sign up for my newsletter on my home page, which will deliver my blog to your in box (plus you’ll get a copy of my eBook 7 Great Tips for Finding the Perfect Publisher). Thanks!

Nancy Peske hire a ghostwriter developmental editor

I’m not an actual ghost, just a ghostwriter…and developmental editor…and book writing coach…and book publishing consultant.

ghostwriter


 

Have you completed a memoir, or written a lot of material, and become stuck? A developmental editor can help you figure out what you need to do and how you can reshape your material. I do this work and find it very rewarding because I love helping clients tell their stories. Whenever I can, I offer would-be authors advice on how to get unstuck in the process of writing their memoir or self-help book, and in that spirit, I’d like to share with you an interview I did with a colleague, Al Desetta.

Al Desetta is a ghostwriter/developmental editor I have referred people to when the project isn’t quite right for me or the timing isn’t going to work out given the client’s plans and my schedule. I asked him to shed some light on how he works so that people who follow my blog can learn from him.

 

Nancy: Many people are confused by what a developmental editor does. How would you describe what you do?

 

Al: A developmental editor helps an author develop the true potential in a completed or partially completed manuscript. Unlike a copyeditor who simply corrects a manuscript, a developmental editor looks for ways to help the author improve it, which typically includes helping the writer reorganize the book, rewrite parts of it, add new or additional information, cut or deemphasize parts of a manuscript, etc. For example, I often help memoir writers deepen certain aspects of their stories that they may have overlooked or not considered important. Writers—especially first time writers—are frequently too close to their experience to fully realize the true power in certain events. As a developmental editor, I help authors find the “diamond in the rough” of their experience.

 

Nancy: Who is your typical client? Why do they hire you? For instance, where are they in their process of writing?

 

Al: A typical client is a first-time author who has written a book, but who is uncertain about the quality of the work and seeks me out for objective and constructive feedback. They know they have the germ of a good idea, or even a pretty well-developed book, but they want someone who can offer a professional opinion on the state of the manuscript and ways to improve it.

developmental editor

Stuck on writing your memoir? Hire a developmental editor to evaluate it and help you write it! Developmental editor Al Desetta explains.

 

Nancy: You ghostwrite and you do developmental editing. How do you help a client decide which service is the right one for that particular project?

 

Al: Usually clients are pretty clear about which service they want. Ghostwriting is for people who don’t have the time or skills to write their own books. Developmental editing is for authors who have written their own books, but who are stuck in some way. Sometimes developmental editing also includes some ghostwriting. I’m helping an author right now who has partially completed a memoir. Some of what I do with her is developmental editing—I ask her questions and point out areas where she can improve and develop the manuscript. But I also do a little ghostwriting to help in the process—I interview her about aspects of her life, write chapters based on the interviews, and she then revises these chapters and adds more information.

 

Nancy: When you get full or partial manuscripts from a new client working on a nonfiction book, what are the most common problems you see?

 

Al: Two common problems are overwriting and lack of a workable structure. These problems often surface in memoirs, but are also true of most nonfiction books.

 

Memoir writers often tend to overwrite—they are so close to their experience that they don’t know how to manage or shape it. They think they can write their way out of this problem, but that only compounds the problem. A memoir can’t be about an entire person’s life—it has to focus on an aspect of a person’s experience. What you leave out is as important as what you decide to include.

Related to this is the importance of structure. When an author doesn’t have a workable structure or organization, it’s like driving without a map. Or, to use an analogy that a writing teacher once told me, you set out rowing on the ocean and you lose sight of land. And you keep rowing, hoping to sight land on the other side. But pretty soon you realize you’re lost on the ocean and more rowing (or more writing) won’t get you back to land. Having an organization or structure at the start helps a writer from getting lost, especially in memoir writing, where the author has access to great amounts of information about her life, but often isn’t sure what to include or how to organize it.

 

Nancy: Are there any recent developmental editing projects that stand out for you that self-help mind/body/spirit or inspirational memoir writers could learn from? Any lessons you drew from these recent projects, or were reminded of?

 

Al: One lesson that always stands out is how gratifying the process can be, for both writer and editor. People have life experiences or ideas that they’ve always wanted to write about, but all authors encounter obstacles as they try to write about them. Right now I’m ghostwriting a memoir for a mother and son who were held captive for months by Islamic terrorists in the Philippines. It’s been a wonderful experience to help them create the book they’ve always wanted to write, a process that has also helped them to heal.

 

As a developmental editor and ghostwriter myself, I understand Al’s enthusiasm for helping people to tell stories that lead to healing for themselves and others. If you are eager to get unstuck in writing your memoir, consider contacting a professional, experienced developmental editor to get you back on track.

 

Al Desetta’s website, where you can learn more about his services and the kinds of books he has worked on, is www.AlDesetta.Com

 

 

ghostwriter


One of my hats is ghostwriting, and I just made a little promotional video about this service. (For those of you thinking of creating videos of your own to promote your work, I made this using iMovie software, stock photographs, and royalty free music, for under $20: check out www.FootageFirm.com for music and video clips, and www.istockphoto.com and www.bigstockphoto.com for photographs. I began with a script, looked for photographs to illustrate my core ideas, and found appropriate music from my collection.).

Ghostwriting is a skill that requires you to be attuned to your client’s voice. When I ghostwrite, I fuss over transition words (would that client say “then too” or “moreover”?), adjectives, sentence structure, first- versus second- or third-person, and the rhythms of a person’s spoken voice. I read samples of their past writing and talk to them about what they liked or didn’t like about their voice in those samples. I have no defensiveness when they tweak my writing, and I encourage them to tell me, “I wouldn’t use that word” (oops, my bad!) or “I wouldn’t say it quite that way; there’s a nuance I have to explain to you.” I remember one client telling me years ago, “I am gentle with my readers because they have a great deal of embarrassment about their situations, so I never say ‘You should’ or start a sentence with ‘Don’t.'” Wow, was that helpful feedback!

 

I think that to be a good ghostwriter, you have to have a firm grasp of voice in your own writing.

 

Who is your audience, and how would you like them to perceive you? Voice should reflect the relationship you want to create between you, the writer, and your reader. It is not simply about what you want to say and how you want to say it. As a developmental editor, I’ve been known to point out places in an author’s book where I think his tone is a little off and needs to be tempered. I know some people think that if you write books using your own voice, you can’t successfully switch over to writing in someone else’s voice. This simply isn’t true. It’s really a matter of setting aside your ego and tuning in to the other person’s energy, personality, and styles of speaking and writing.

One of the advantages of having me ghostwrite their books, my clients have discovered, is that when they are suddenly asked to write something short-form on a deadline, I can jump in easily to do it for them, not just because I know their ideas and material but because I know how they like to sound on the page or screen. For a busy professional running workshops and seminars, having a ghostwriter available can be an incredible asset even after the book is written. Jumping in to that role when you don’t know a person and his voice well is much harder, I am sure!

ghostwriter


You’ve dreamed about writing a book someday. You believe you have a story inside you that will amaze and inspire people. You’ve tried to write it down, and have sketched out some ideas here and there. Maybe you have notebooks or computer files that are filled with writing but you’re realizing that all these bits and pieces aren’t adding up to a book. Do you need to hire a ghostwriter?

Perhaps, but first there are four crucial questions to ask yourself:

1. Do I understand what a ghostwriter can do for me? A ghostwriter, or “work-for-hire” writer, writes for other people but does not receive public credit and her name won’t appear on the book jacket or the book’s copyright notice. She’s a “ghost” because she works invisibly, behind the scenes. A ghostwriter for a book structures and shapes the book, including its scenes or sections, and renders the expert’s ideas on the page in a way that is true to her client’s vision. Her client, not the ghostwriter, retains the claim to the book’s copyright and takes responsibility for the material in the pages. A professional ghostwriter can alert her client to potential legal issues, but ultimately, the book she will ghostwrite will be her client’s baby. In fact, you might think of a ghostwriter as a professional midwife for books.

2. Do I secretly want to be a writer, or do I simply want my story and ideas told in my voice? An excellent ghostwriter will listen to how you express yourself in person or over the phone. She will notice the complexity of your sentence structure, your pet phrases, and your tone. Then, as she begins to ghostwrite your book, she’ll create a voice that sounds as if it were yours. She knows that if you’re serious and dignified, your voice on the page should be different than if you’re playful and whimsical.

If your heart tells you that it’s you who must write every word of your book, you must be willing to master the craft of writing a book. Hire a writing coach, take writing classes, and read books on writing. Commit to the time it will take to master your craft and write your book. If you hire a ghostwriter when you truly want to be the writer, you’ll find it difficult to create a good partnership with her. You need to trust the ghostwriter to capture your voice and ideas or she won’t be able to do her job properly.

A ghostwriter or developmental editor may be key to getting your book written

3. Do I have the money to hire someone to interview me and write a book based on my life or ideas? It can take hundreds of hours of a ghostwriter’s time to interview you and ghostwrite a quality book for you. You’ll need tens of thousands of dollars to hire a professional ghostwriter to ghostwrite a memoir, self-help book, or novel based on your ideas and synopsis. If you procure a book contract and an advance against future earnings from a publisher, you can use that money to hire someone to ghostwrite or coauthor your book. If your budget is too tight to pay a five-figure fee to a book ghostwriter, remember that you get what you pay for. Will you be content with a book that isn’t well structured or well-written, a book that doesn’t have rich ideas and a narrative flow that’s engaging and entertaining? If you don’t have a publishing contract and paying a ghostwriter will be a problem for you, see question #1 and rethink whether you might be willing to learn to write the book yourself rather than hire someone to ghostwrite a book for you.

4. Do I know what I want to say? Everyone has ideas and stories to write about, but you may not have enough to say to fill a book unless you work with a professional ghostwriter who can draw stories out of you, find the narrative arc to your book, and help you develop your ideas. In fact, if you want to write your own book and you have good writing skills, but are stuck on what to say, you may not need a ghostwriter so much as a developmental editor. A developmental editor can help you flesh out your ideas and structure your book.

Whatever your goal, I hope you won’t let fear, insecurity, or embarrassment influence your decision about whether to write your book yourself or hire a ghostwriter to ghostwrite it for you. If you honor your strengths as well as your weaknesses, you’ll come to the right decision for you regarding who should write your book. Know what type of assistance you need and you won’t regret your decision, whatever it turns out to be.

And if you are serious about hiring a ghostwriter and have a budget in the five figures, do contact me at info@nancypeske.com and let’s see if I’m the write ghostwriter for you.